Tag Archives: Frederick Glaysher

Decadence, East and West

Blue Water Planet

Blue Water Planet

Decadence, East and West

The scholar Jacques Barzun provides our initial definition of decadence, taken from his brilliant survey of intellectual history, From Dawn to Decadence: 1500 to the Present, 500 years of Western Cultural Life (2000): “All that is meant by decadence is ‘falling off.’” His discussion ranges over Western art, music, religion, and literature, documenting and critiquing the many figures, changes, and evolutions up to the reigning vision of our time, which he succinctly epitomizes while defending the term of his assessment: “When people accept futility and the absurd as normal, the culture is decadent. The term is not a slur; it is a technical label.” Barzun goes on to explain how one can identify when a culture declines into decadence:

“How does the historian know when Decadence sets in? By the open confessions of malaise, by the search in all directions for a new faith or faiths…. To secular minds, the old ideals look outworn or hopeless and practical aims are made into creeds sustained by violent acts….”

From this perspective, modern Western culture has been in free-fall for over a hundred years, arguably even longer. Whether high or low, such is the story of Western civilization, and, to the extent that it became modern civilization, its decadence has long been passed around the world, into the vitals of every regional civilization on the face of the earth. Together, we have all sunk into the dark pit of cynicism, frivolity, and despair, “fallen off” into nihilism….

Now available in

The Myth of the Enlightenment: Essays
Forthcoming, September, 2014.

https://www.earthrisepress.net/myth_of_the_enlightenment.html

Frederick Glaysher

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Tagore and Literary Adaptation

rabindranath tagore

Rabindranath Tagore

Tagore and Literary Adaptation

Accidentally including three or four poems by another poet among his collection of short poems, Fireflies (Lekhan), what Tagore did was discussed in 2002, in a different context, by Richard Posner, in “On Plagiarism” in The Atlantic Monthly:

“…the writer who plagiarizes out of … forgetfulness, the latter being the standard defense when one is confronted with proof of one’s plagiarism.”

It was a mistake. Tagore immediately owned it. He was human, too, and graciously admitted he had erred, when it was pointed out to him, dealing with many manuscripts from years ago, jumbled together. Why should it be held against him by later sticklers?

Now available in

The Myth of the Enlightenment: Essays
Forthcoming, September, 2014.

https://www.earthrisepress.net/myth_of_the_enlightenment.html

Frederick Glaysher

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Just Published in Kolkata, India, Rupkatha, Excerpt from Book IV

Just published in Kolkata, India > Excerpt from Book IV. Rupkatha Journal

Rupkatha Journal

Just published in Kolkata, India, Rupkatha, Excerpt from Book IV

Just published in Kolkata, India > Excerpt from Book IV. Rupkatha Journal, Volume IV, Number 2, 2012.

Tagore and the Poet, at Kurukshetra:

“We soon were over a plain, a wide field,
where two vast armies were ranked to battle,
legions on either side for war…”

Rupkatha.com

Direct PDF: rupkatha.com/V4/n2/Poetry_V4N2.pdf

Or available from my own server: Rupkatha_Poetry_V4N2_2012

Frederick Glaysher

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Just published in Mumbai, India, The Criterion, Excerpt from Book IV

Excerpt from Shiva Nataraja, Book IV, published in The Criterion: An International Journal in English, Vol. III. Issue. IV (December 2012)

Excerpt from Shiva Nataraja, Book IV

Just published in Mumbai, India > Excerpt Shiva Nataraja, from Book IV.

The Criterion: An International Journal in English, Vol. III. Issue. IV (December 2012). In the Himalayan foothills, Shiva Nataraja.

“Tagore then spoke. “You have heard Krishna, now
Lord Vishnu’s eighth incarnation, Shiva.
He will come down to us from Mt Kailash…”

https://www.the-criterion.com/
Or direct PDF: https://www.the-criterion.com/V3/n4/Frederick.pdf

Frederick Glaysher

 

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