Theosophical Society of Detroit – Friday, December 7, 2018. 7:00 – 9:00 pm. Q&A. 27745 Woodward Avenue, Berkley, MI 48072.
Frederick Glaysher spoke about the long journey of modernity during the last 130 to 150 years in search of a universal conception of spirituality. Glaysher discusses the book The World’s Parliament of Religions, 1893, and key influential speakers and groups represented at The Parliament in Chicago, including Vivekananda, Brahmo Samaj, the Unitarian Church, and the Theosophical Society, highlighting and surveying Madame Blavatsky’s emphasis on Universal Brotherhood and the study of comparative religion. Further currents include Dara Shikoh, Rammohan Roy, Rabindranath Tagore, Abdul-Baha, Rumi, Kabir, poets and mystics, Emerson. Among other seeking souls touched on, Evelyn Underhill, Arnold Toynbee, Micea Eliade, Joseph Campbell, and Huston Smith.
Accidentally including three or four poems by another poet among his collection of short poems, Fireflies (Lekhan), what Tagore did was discussed in 2002, in a different context, by Richard Posner, in “On Plagiarism” in The Atlantic Monthly:
“…the writer who plagiarizes out of … forgetfulness, the latter being the standard defense when one is confronted with proof of one’s plagiarism.”
It was a mistake. Tagore immediately owned it. He was human, too, and graciously admitted he had erred, when it was pointed out to him, dealing with many manuscripts from years ago, jumbled together. Why should it be held against him by later sticklers?
Now available in
The Myth of the Enlightenment: Essays
Forthcoming, September, 2014.
“The Poet’s Religion of Rabindranath Tagore.” Just published in Rupkatha Journal Volume 3, Number 4, 2011 (400—416). Rupkatha.com (Kolkata, India).
I cannot write about Tagore without writing about what he has meant to me as a poet during the course of more than forty years of reading him. In the early 1970s he became for me a model and mentor, an example of the poet’s life, one which resonated deeply with my own experience, especially in spiritual terms, which I eventually learned was taboo even to mention in the learned halls of American universities, where God was and is usually dead, and no one desiring intellectual respectability had better utter the slightest syllable otherwise….
ANN ARBOR—On September 22, 29, and October 6, the theatre company, Apollo’s Troupe, will stage the theater adaptation of the poem, The Parliament of Poets, written by Michigan poet Frederick Glaysher and published in 2012 by Earthrise Press. Continue reading →
Apollo's Troupe blends theatre with the ancient Greek rhapsode's performance of Homer and the modern style of reading by Charles Dickens and Edgar Allan Poe into a new experimental epic form of dramatic storytelling for a contemporary audience. Continue reading →