Tag Archives: John Milton

BOOK IV Summer Serialization

Final Touches to Book III, June 21, 2012

Final Touches to Book III, June 21, 2012

Book IV of The Parliament of Poets: An Epic Poem is now available:

BOOK IV, THE ARGUMENT

“Beyond in medias res, Tagore guides the Persona to India, to the ashram of the sage and epic poet Vyasa in the Himalayan foothills; to the field of Kurukshetra; and, in sight of Mt Kailash, Shiva Nataraja. Kabir. The epic struggles of the Ramayana. Hanuman carries the Persona to Angkor Wat in Cambodia.”

https://books.fglaysher.com/The-Parliament-of-Poets-An-Epic-Poem-Book-IV-Book-IV.htm

The summer serialization has essentially become the eighth draft. I know Milton published a revised second edition several years after the first, as many writers do and have. For me, the words keep coming, though on a noticeably more focused level of precision of word choice and detail, mostly small touches, some more lines here and there, a sharper characterization, nuance. The flood of ideas for incidents and scenes, foreshadowing and expansion, development, has seemed to wane, or, rather, I’ve moved beyond it, having that down on paper. I believe it’s done, though, and this serialization fits what Dickens and other writers used the method for, to give readers who are interested the opportunity to be the first to read a book and to participate to some extent in its final evolution and development, contribute to it, a sense of the author’s own involvement in and excitement at a new creation.

Perhaps I’ve found a way to revive serialization in the Post-Gutenberg Age. I don’t know of anyone else who has tried this. It simply occurred to me suddenly in late May. I remember thinking about The New York Times making first chapters available during the last decade or so, and Amazon’s Kindle Singles program, which is largely popular schlock and talking-head non-fiction. Charles Dickens and all the grand old magazines of the 19th Century came to mind with a flash of insight. I’m quite encouraged by the results and reaction and intend to carry through on my pledge to my readers to serialize the entire epic poem. There’s a Web 2.0 quality about the way the serialization is unfolding.

Frederick Glaysher

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First Epic Poem in English in 345 Years

At my writing desk, June 21, 2012

At my writing desk, June 21, 2012, working on Book III for the summer serialization.

I believe I have written the first epic poem in English in 345 years, since Milton’s publishing Paradise Lost in 1667. I cordially invite the reader to consider that there is no other subsequent poem in the English language that succeeds in meriting the title of epic, nor comparison with Milton, Dante, Virgil, and Homer. All of the contenders are merely long poems, series and sequences, mock epics, or local epics, if you will, embracing a regional civilization, not the entire globe, not a universal, global epic, with a world-embracing vision. The same is true of all of the traditional epics of other cultures, as with Asia, for instance.

Throughout my adult life, my life-long goal has been to write a universal, global epic, commensurate with our Global Age, to speak to all nations, the many millions. I invite readers to consider and judge whether I have achieved what I began to conceive of, and study for, as early as 1982.

BOOK I, along with the Preface and Introduction, is a FREE DOWNLOAD at https://books.fglaysher.com/The-Parliament-of-Poets-An-Epic-Poem-Book-I-FREE-Book-I.htm

In my essay “Epopee,” in my book The Grove of the Eumenides, available worldwide in either a printed or ebook edition, I survey ancient and modern epic poetry. https://fglaysher.com/order_books.html

Frederick Glaysher

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Finished the 7th Draft of The Parliament of Poets

Man on the Moon

On June 6th I finished the 7th Draft of The Parliament of Poets, an epic poem. Tolstoy set the standard for me with his seven drafts of War and Peace. Reading about that years ago, I have never been able to forget it. He, with his wife’s help (much contention around that fact in later years), wrote out the entire manuscript, over 1,000 pages in most editions, by hand, seven times! Awesome just to think of the physical energy expended, let alone the mental, especially after having written by hand my manuscript of a mere 280 pages, five times, puny by comparison! Argh, perhaps in other ways, self-doubt barking, though I dare to think otherwise, while knowing the ultimate judgment resides with readers… as it should.

At least, I tell myself, I have, in my own terms, achieved what I set out to do, as long ago as the early 1980s: Write an epic poem, a serious one, though laden with delight, that attempts to stand with Homer, Virgil, Dante, and Milton, the other great epic poets, East and West, one that confronts, attempts to confront, the fullness of modern life, in all its global complexity, humanity’s many strands, and weave a new, universal vision of epic song. It’s been a long and lonely, arduous journey. Whatever comes of it, whatever readers think, like or detest it, ignore or spurn it, for the first time in over thirty years, it’s not a weight on my consciousness, not one I’ve yet to deliver, but done, setting on my desk.

Read my other reflections on my epic poem in the Epic Category to the right >

Frederick Glaysher

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Postscript. eReading and the Post-Gutenberg Age

ebooks, eReading

ebooks, eReading

Postscript: eReading and the Post-Gutenberg Age

I am highly conscious that Google Books made my discovery of Milton’s “Of True Religion” possible. Without Google’s digitizing much of the intellectual heritage of humanity, now available from anywhere on earth, I would never have found this piece by Milton, since modern scholarly editors thought they knew better than Milton what was worth writing and reading. I feel, therefore, it is incumbent on me to give credit where credit is due. Literary, intellectual study and scholarship have and will continue to benefit from what is clearly a Post-Gutenberg Revolution. As a writer and poet, I am constantly now, even for years, finding one thing after another impacted by the exponential transformation in the availability of knowledge and information, the most nuanced, substantive dimensions of literary and aesthetic study, classic works, books, and publications. The world has truly entered into a new age, properly called the Post-Gutenberg Age.

Less recognized is the fact that the requisite spiritual vision appropriate to sustaining it is evolving, has evolved, and is manifesting itself in lived experience. In time, the world too will increasingly awaken to that transformative recognition.

Frederick Glaysher

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