Tag Archives: Frederick Glaysher

Epic Poetry Workshop

An Epic Poetry Workshop, presented by Frederick Glaysher, at the Austin International Poetry Festival, AIPF, September 29, 2012.

“Frederick Glaysher presents a workshop designed to revive the genre of epic poetry. He researched this genre and developed two worksheets with collections of quotations and reflections on epic poetry which helped him develop his own thinking and practice. From the perspective of having now finished the 8th draft of his own epic poem, he finds much more in them and looks forward to talking with people about the genre. Having taught college courses in the past in non-Western literature, the great Asian epics are very important to him, too, and he will explore some aspects of Chinese and Indian epic as well. The workshop combines reading, discussion, thought-provoking questions, and writing practice.” — From the 20th Anniversary Celebration Program for AIPF.

Frederick Glaysher

Leave a Comment

Filed under Epic

Austin International Poetry Festival

Reading from the eighth draft of my epic poem The Parliament of Poets at the Austin International Poetry Festival, September 28, 2012, in Austin, Texas, at BookWoman, a feminist bookstore.

From BOOK III,

“While I was trying to absorb it all,
a figure emerged from down the hill…”

Frederick Glaysher

Leave a Comment

Filed under Epic

Journal Entry, August 30, 2008

Journal Entry, August 30, 2008

Last night I awoke around 3:00 AM and couldn’t get back to sleep. It then occurred to me, hitting me like the proverbial bolt of lightning, “This is the structure, this is the theme.” THE ARGUMENT is the form of The Parliament of Poets. I’ve always thought of it as the theme as well, never even thinking it might be different. Reading most of Huston Smith’s books since seeing his Forgotten Truth at the East West Bookstore in Mountainview, California, in June, and now Arnold Toynbee’s A Historian’s Approach to Religion, his Gifford Lecture, I realize they both had worked their way to essentially the same vision as Baha’u’llah–the oneness of humanity and all religions.

Reading Toynbee again after more than two decades, and weeks of Huston Smith and Joseph Campbell this summer, I realize Toynbee has an amazingly clear and succinct understanding of the universal religious call to the soul: Sacrifice thyself for the good of others. Serve them. Lead them to the Light. Accept and bear they load of suffering and pain for their sake, for the sake of God, the Absolute Reality.

“This is the structure, this is the theme.” A complete metaphysics with the structure to support it–all of human history and experience.

Frederick Glaysher

Leave a Comment

Filed under Epic

Notes Over My Writing Desk

Notes over my writing desk

Notes over my writing desk

Notes Over My Writing Desk, from top left down to right:

“The heart of so great a mystery cannot ever be reached by following one road only.” – Quintus Aurelius Symmachus (c. 345 – 402), a Roman statesman, orator, and man of letters, quoted by Augustine from exchange with St. Ambrose. Quoted by Arnold Toynbee in his Gifford Lecture.

“The passionate love of the artist for his subject is the soul of art. Without love no work of art is possible.” –Tolstoy, Letter, September 1889.

Virgil– write it out in prose. “No day without its line.” [Apocryphal? It shouldn’t be…]

“For the artist, however, a worldview is a tool and instrument, like a hammer in the hands of a stonemason.” –Mandelstam, from “The Morning of Acmeism,” quoted by Saul Bellow in Summations (The Bennington Chapbooks in Literature, 1987).

“Get the work out.” –Robert Hayden, to me once in conversation.

From top right, down:

“Long choosing, and beginning late.” — John Milton, Paradise Lost, BOOK IX

“Make the works.” — Walt Whitman, on a type of name plate reportedly on his desk

“I think we’re in danger of seeing a new dark age come over the mental life of the country. It is a very serious matter.” — Saul Bellow, The Dean’s December (1982).

“And the honour of virtue consists in contending, not in winning.” — Montaigne

“Certain it is, however, that this great power of blackness in him derives its force from its appeals to that Calvinistic sense of Innate Depravity and Original Sin, from whose visitations, in some shape or other, no deeply thinking mind is always and wholly free. For, in certain moods, no man can weigh this world, without throwing in something, somehow like Original Sin, to strike the uneven balance.” — Herman Melville, “Hawthorne and His Mosses,” 1850.

“The supreme test of a book is that we should find some unusual intelligence working behind the words.” — Herman Melville, “Hawthorne and His Mosses,” 1850.

Bottom, right, from a dream, August 30, 2008:

“This is the structure, this is the theme”: Sacrifice thyself for the good of others. Serve them. Lead them to the Light. Accept and bear thy load of suffering and pain for their sake, for the sake of God, the Absolute Reality. Oneness of God. Oneness of the Prophets. Oneness of humanity. “Radiant acquiescence.”

Frederick Glaysher

Leave a Comment

Filed under Epic