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Reviews in Brief to February 5, 2015

Selected Reviews of The Parliament of Poets: An Epic Poem in Brief to February 5, 2015

“Beautiful poem…an excellent piece of poetry.” —Nana Fredua-Agyeman, Ghana, Africa

“A great epic poem…” —Dr. Hans-George Ruprecht, Carleton University, Canada

“Bravo to the Poet for this toilsome but brilliant endeavour.”
Umme Salma, International Islamic University, Bangladesh, in Transnational Literature, Australia

“A uniquely powerful work….” —Spirituality Today, UK

“…maybe it is poets and philosophers, rather than activists and politicians, who can ultimately help transform this world into something better.” —Mr. P. J. Morris, Amazon UK

“A masterpiece that will stand the test of time.” —Poetry Cornwall

The Parliament of Poets: An Epic Poem

The Parliament of Poets: An Epic Poem

“Don’t be intimidated by an epic poem. …in the most beautiful, mellifluous language.” —Miriam Knight, New Consciousness Review radio, Portland, Oregon

“Like being enfolded into a glorious, celestial, orchestral song… A worthy literary masterpiece… Amazing, wonderful book.” Julie Clayton, New Consciousness Review

“Beautiful book.” —Dr. Catherine Al-Meten, The Examiner, Portland, Oregon

“…the poetry and language is rather beautiful. …it’s really very readable.” —Chris Hislop, Savage, London

“…a very important book for our time.” —Tina Benson, Amazon Review, California

“A contemporary classic! Highly recommended for reading.” —Nishat Haider, Lucknow University, India

“…fascinating juxtapositionings, and unique symbolism for our time.” —Dave Gordon, The Jewish Post and News of Winnipeg, Canada

“I found this book to be up to the standards set by Homer.” —LibraryThing

Longer excerpts with links on my homepage.

Frederick Glaysher

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Two Reviews of The Parliament of Poets

The Parliament of Poets: An Epic Poem

The Parliament of Poets: An Epic Poem

Two Reviews of The Parliament of Poets

Goodreads, Ratul Pal Jan 25, 2013

“Most of the contemporary poets and critics claim that epic is not suitable for our modern age. But Frederick Glaysher has proven them wrong. He has shown that if a poet has true dedication, if he has unshakable belief in humanity, spirituality and overall progress of human beings, if he hasn’t already surrendered himself to the ugliness of decadence, it is possible for him to write an epic, even in modern age. “The Parliament of Poets” has all the grandeur, all the loftiness and qualities which make an “effort for an epic” a “true epic”. In essence, “The Parliament of Poets” is a song of unity, an audacious declaration that unity does not mean conformity, it means being in harmony. The poet himself is the main character of this epic poem, who travels to the moon, meets a large number of great poets and writers of the world, comes back to earth to have some glimpses of bygone times. Throughout the entire journey, many poets, writers, sages guide the poet and share their invaluable knowledge and insights. Besides giving the pure joy of poetry, this epic will certainly enrich a reader’s geographical-political-architectural knowledge. If a reader is not already acquainted with some of the mainstream traditions of world-literature, it will be difficult for him to grasp the meaning this epic tries to convey. But we must remember that no great work of literature is self-sufficient. Great works of literature have a lot to offer, but in order to comprehend them, a reader must prepare himself, must sharpen his intelligence and aesthetic sense. Keeping these things in mind, anyone can start reading “The Parliament of Poets”.”

LibraryThing, “A wonderful book. As a fan of poetry and especially epic poetry I found this book to be up to the standards set by Homer. I met some new poets that I have looked up and added to my collection. This book also is very thought provoking as it brings into question what humanity is doing to the Earth and each other. I highly recommend it.”
( ) wtshehan | Oct 25, 2012

Read a free chapter, BOOK I, The Parliament of Poets: An Epic Poem

Frederick Glaysher

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eReading is reading but then…

ebooks, eReading

ebooks, eReading

eReading is reading but then…

February 16, 2009

Reading and eReading are the same. But then… I have second thoughts. I suppose what I was thinking of was that eReading can be as absorbing and imaginative as conventional reading, yet there are advantages to eReading. Often, we think in reverse, about what is lost or diminished by a mechanical device. Yet I don’t want one or the other, but both. I’ve been regularly reading both ways for well over a decade, like everybody else, or at least so many people now.

I can flip things off the net, into a reader, and take it with me for snatches, long or short, when I can. Having hundreds of books and articles with me at all times has advantages. Depending on the inspiration of the moment, there’s always something to read, something I *want* to read, not a soiled, wornout magazine at the doctor’s office, a newspaper at the restaurant that has been handled by dozens of people that day, over their eggs and toast, french fries, and other greasy fare, coughing all over it. I find I actually can read that marginal article, which I wouldn’t have otherwise read, life being too busy since it’s a little lower on my list of priorities or interests. It’s easy to copy and paste it into my eReader to get around to maybe weeks or sometimes months later.

I can’t carry around hundreds of physical books, but I can carry around hundreds of books on my Palm or Sony Reader (PRS-505), anywhere I go.

And then the experience of ereading, I still believe, being tugged in both directions, isn’t quite the same. It can even seem better; right with the right book. The qualitative experience of reading an ebook is as deep and engaging as a printed volume.

Frederick Glaysher

 

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Why I’ve decided to blog my reviews

Why I’ve decided to blog my reviews…July 13th, 2006

I wearied long ago of submitting to magazines and waiting for months on editors who couldn’t understand where I was coming from and whose views I didn’t share, finding their underlying vision of life stultifying, out of harmony with my own experience, so much so that it was obviously futile to continue to seek a hearing in their pages. The problem was theirs, not mine. I have a decade and a half of rejection letters to prove it, from every New York and university publisher and many “prestigious” editors, benefactors of nepotism and otherwise, dullards, really, it always seemed to me, often corrupt, parasitic corporations, destroying the culture, with decadent and demeaning visions of life.

So for more than fifteen years, nearly every magazine and journal of the time, and publishers, had shown themselves only capable of rejecting my writing, while rarely demonstrating even a trace of understanding of what I was actually doing, in my own terms. There are times in literary and cultural history when the best thing a writer can do is return to, or stay put, in one’s home, stay in Concord, Copenhagen, The Hague, or Derry, New Hampshire, as good as anywhere else, the gods having planted you there, apparently for a reason, try to learn and understand their lessons.

My MCRI blog in 2006 was my introduction to the blog, and so I explored it for things that really interested me, in various incarnations, eReading and Reviews, bringing my disparate parts together now, in the summer of 2011, for the first time, on The Globe, a healing of sorts, or gathering, perhaps a resolution and perspective time can sometimes provide.

Following William Blake, Walt Whitman, and other writers, I followed the traditional route of turning to one’s own devices, “under one’s own steam,” as Robert Hayden once phrased it to me, going around the prevailing mentality, evolving with the times, from conventional printing, to worldwide POD through Ingram’s Lightning Source, for both hard and soft cover books, then Jason Epstein’s Espresso Book Machine, and finally ebooks, the last of which I believe resolves all of the problems confronting writers and readers for reasons I explain elsewhere:

The Mission of Earthrise Press

Publishing in the Post-Gutenberg Age

Frederick Glaysher

 

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