Category Archives: Universality

From the Moon, together, we can see it…

The Poet’s Religion of Rabindranath Tagore

rabindranath tagore

Rabindranath Tagore

“The Poet’s Religion of Rabindranath Tagore.”  Just published in Rupkatha Journal Volume 3, Number 4, 2011 (400—416). Rupkatha.com (Kolkata, India).

I cannot write about Tagore without writing about what he has meant to me as a poet during the course of more than forty years of reading him. In the early 1970s he became for me a model and mentor, an example of the poet’s life, one which resonated deeply with my own experience, especially in spiritual terms, which I eventually learned was taboo even to mention in the learned halls of American universities, where God was and is usually dead, and no one desiring intellectual respectability had better utter the slightest syllable otherwise….

Essay: “The Poet’s Religion of Rabindranath Tagore,” Rupkatha (Vol. 3, No. 4. Spring 2012) or here: The Poet’s Religion of Rabindranath Tagore

Now available in

The Myth of the Enlightenment: Essays
Forthcoming, September, 2014.

https://www.earthrisepress.net/myth_of_the_enlightenment.html

Frederick Glaysher

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Rodin’s Gates of Hell, Cantor Art Center, Stanford University

Rodin's The Thinker, The Gates of Hell, from Dante

Rodin’s The Gates of Hell, Cantor Art Center, Stanford University, July 1, 2011.

III
The Thinker

Staring into the portal I see humankind
stretched out on the rack of this century,
gassed in the trenches of Europe,
vivisected in the meat shops of Germany,
forced to kowtow in China and India,
in Africa and the archipelagoes,
by the British, the French, the Japanese,
by all those intent on empire,
intent on the worship of themselves.

Staring into the portal I see ourselves
revealed in the terror of what we are,
of what we cannot face, cannot bear,
try always to ignore,
while the cost grows greater and greater,
while like Ugolino we grope over the dead,
the victims of our rapacity,
our devouring lust.
“O Master, the sense is hard.”

Copyright (c) 1999 Frederick Glaysher. My Rodin sequence has a I & II…
https://fglaysher.com/into_the_ruins.html 

Rodin, Gates of Hell, Paolo, Francesca

Rodin, Gates of Hell, Paolo and Francesca

Rodin’s Paolo and Francesca… “our devouring lust.” They’re writhing in Hell. Dante saw them there on his visit… wrought them in immortal song, Rodin in immortal bronze. White’s translation:

“There is no greater grief
Than to recall a bygone happiness
In present misery….

While the first spirit told her tale, the other
Wept with a passionate grief that mastered me;
I felt a faintness, as it were of death,
And like a corpse fell headlong to the ground.”

Apparently, Dante must have had cause to faint…

Rodin, Gates of Hell, Ugolino, devouring his children…

“…while like Ugolino we grope over the dead,
the victims of our rapacity,
our devouring lust.
‘O Master, the sense is hard.'”

Copyright (c) 1999 Frederick Glaysher
https://fglaysher.com/into_the_ruins.html

Rodin, Gates of Hell, Cantor Arts Center

Bronze, of course… The Thinker pondering Hell below… perhaps the greatest art work of the 20th Century. Guernica next comes to mind…

Rodin, Gates of Hell, Cantor Art Center

Rodin, The Gates of Hell, Cantor Art Center

One of only two or three full exhibitions, worldwide, of Rodin’s The Gates of Hell.  ‎…awe-inspiring for me. I first saw it in a special exhibition in Detroit in the early 1980s. I wrote a series of poems about it, in my book Into the Ruins, if interested, “Rodin’s Gates of Hell”: https://fglaysher.com/into_the_ruins.html

Rodin, The Thinker, MET

Rodin, The Thinker, MET

…A creative mounting of Rodin’s The Thinker, five or six feet off the floor, from The Gates of Hell. New York Metropolitan Museum of Art, February 11, 2012.

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Poetry Reading at the Buffalo Small Press Book Fair

Poetry Reading at the Buffalo Small Press Book Fair

I’ll be reading from the fifth draft of my epic poem, The Parliament of Poets, from 2:30 to 2:45pm.

My other books will be available at the Earthrise Press table from 12-6pm.

I’d be delighted to sign a copy for you. Hope to meet you there!

Author appearance, Saturday, March 24, 2012, 12:00PM — 6:00PM
Karpeles Manuscript Library Museum, Porter Hall, 453 Porter Avenue in Buffalo, NY 14201 USA
https://www.buffalosmallpress.org/

Frederick Glaysher

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Tolstoy and the Last Station of Modernity

Tolstoy and the Last Station of Modernity

August 15, 2010

Tolstoy

Leo Tolstoy

After seeing several months ago the movie “The Last Station,” by the director Michael Hoffman, based on Leo Tolstoy’s final year of life and his death at the train station of Astapovo in 1910, I found my thoughts often turning to him. I’ve had a long interest in Tolstoy and his work, having spent considerable time as a student reading large swaths of his journals and other more obscure books during the early 1970s and repeatedly going back to him during intervening years. While the acting of Helen Mirren and Christopher Plummer was superb, the latter of whom I admire having seen Plummer perform live a couple of times at the Stratford Shakespeare Festival in Canada, the movie left me with an uneasy feeling regarding the interpretation of Tolstoy. The film script was based on Jay Parini’s novel, The Last Station, which may be part of the problem, in turn perhaps tracing back to the unsympathetic biographies by Henry Troyat and R. N. Wilson, both derisively presenting Tolstoy as a religious crank and fanatic. Neither biography understands the full weight of who Tolstoy was and what he actually believed and why. Touching on the problem, fearing other biographers would repeat the errors of Troyat, Tolstoy’s daughter Alexandra wrote in 1968, in The Real Tolstoy, that “Troyat . . . shows no respect for Tolstoy’s inner life. He speaks about it in vulgar, cynical expressions…. I fear that the errors in Troyat’s book will be repeated in other works.” Beyond the biographies, skewing also the movie, lies the pervasive nihilism and cynicism of modernity that has no respect or appreciation for any spiritual vision of life, including even a highly universal one, such as Tolstoy’s, for he had embraced, by the last decade of his life, the universal principles and teachings, not only of Christianity, but of all the great religions. To see or set him in a more limited context is to fail to understand him within his own stated terms and the plenitude and scope of his work….

Now available in

The Myth of the Enlightenment: Essays
Forthcoming, September, 2014.

https://www.earthrisepress.net/myth_of_the_enlightenment.html

Frederick Glaysher

 

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