Tag Archives: Tolstoy

Tolstoy and the Last Station of Modernity

Tolstoy and the Last Station of Modernity

August 15, 2010

Tolstoy

Leo Tolstoy

After seeing several months ago the movie “The Last Station,” by the director Michael Hoffman, based on Leo Tolstoy’s final year of life and his death at the train station of Astapovo in 1910, I found my thoughts often turning to him. I’ve had a long interest in Tolstoy and his work, having spent considerable time as a student reading large swaths of his journals and other more obscure books during the early 1970s and repeatedly going back to him during intervening years. While the acting of Helen Mirren and Christopher Plummer was superb, the latter of whom I admire having seen Plummer perform live a couple of times at the Stratford Shakespeare Festival in Canada, the movie left me with an uneasy feeling regarding the interpretation of Tolstoy. The film script was based on Jay Parini’s novel, The Last Station, which may be part of the problem, in turn perhaps tracing back to the unsympathetic biographies by Henry Troyat and R. N. Wilson, both derisively presenting Tolstoy as a religious crank and fanatic. Neither biography understands the full weight of who Tolstoy was and what he actually believed and why. Touching on the problem, fearing other biographers would repeat the errors of Troyat, Tolstoy’s daughter Alexandra wrote in 1968, in The Real Tolstoy, that “Troyat . . . shows no respect for Tolstoy’s inner life. He speaks about it in vulgar, cynical expressions…. I fear that the errors in Troyat’s book will be repeated in other works.” Beyond the biographies, skewing also the movie, lies the pervasive nihilism and cynicism of modernity that has no respect or appreciation for any spiritual vision of life, including even a highly universal one, such as Tolstoy’s, for he had embraced, by the last decade of his life, the universal principles and teachings, not only of Christianity, but of all the great religions. To see or set him in a more limited context is to fail to understand him within his own stated terms and the plenitude and scope of his work….

Now available in

The Myth of the Enlightenment: Essays
Forthcoming, September, 2014.

https://www.earthrisepress.net/myth_of_the_enlightenment.html

Frederick Glaysher

 

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Leo Tolstoy. Hadji Murad.

Leo Tolstoy. Hadji Murad. 1911.

September 30, 2009

Lev Tolstoy's Favorite Bench

Lev Tolstoy’s Favorite Bench

I recently downloaded and read from Google Books Tolstoy’s novella Hadji Murad. It’s one of the very last pieces of fiction he wrote, finishing it in 1904, published in 1911, the year of his death. The short novel, about 200 pages on an ereader, has always been praised as an exquisitely crafted work of art. Tolstoy allows the structure and interplay of events to speak for themselves, eschewing nearly all temptation to explain to the reader his intentions and meaning. For precisely this reason, the book may be an especially challenging one. Before stating what I think of Hadji Murad, I must touch on my very long relationship with Tolstoy….

Now available in

The Myth of the Enlightenment: Essays
Forthcoming, September, 2014.

https://www.earthrisepress.net/myth_of_the_enlightenment.html

Frederick Glaysher

 

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Filed under eReading, eBooks, Reviews

Tolstoy. Yasnaya Polyana.

Swirling Tunnel of Time

Swirling Tunnel of Time

Tolstoy. Yasnaya Polyana.

Wainamoinen,  along with Sigurd, Beowulf, and the Valkyries, lift the Persona from the Isle of green to a grove of green, turning toward early fall, as through a swirling tunnel of time, to a birch bench. Tolstoy guides me further along the path, discusses his religious beliefs, mourns his mistakes, grieves Russia’s collapse into the crevasse of modernity. Two young poets swept away into the gulag emerge to carry the Persona from Russia, with Hadji Murad, heading south.

Frederick Glaysher

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