Paternal Haplogroup R1b1b2a1a2

Altamira Cave, Spain

Paternal Haplogroup: R1b1b2a1a2

In 2010 my oldest son had his genome DNA tested showing the
Paternal Haplogroup reaches back to Gascony in Southern France and the Basque Region of Spain, as far back as  20,000 BCE, the time of the paintings in the Lascaux and Altamira caves. According to 23andMe.com, “R1b1b2a1a2 is found in the Y chromosome, a sex chromosome found only in males. It is passed from father to son.”

The surprising thing about our genome to me was that I have all my life been fascinated by the ancient cave paintings in Lascaux, have read everything I’ve ever happened upon about them. I can remember in the early ’70s, in a humanities class, viewing and discussing a movie about the caves. For most of my life, to my mind, the human time scale they represent especially served as a reminder of the longevity of humanity on this planet. They naturally became a part of an epic poem I’m writing, The Parliament of Poets, with my writing about Lauscaux nearly two years ago. All the more astonishing to me to discover there’s a marker in my genes going back to the Basque region.

I’ve usually identified most with my English heritage, though I’ve always known of several other strands of genealogy, some back into the early 1700s, German, French, Irish, and Croatian.

Over 20,000 years is so incredible of a time scale that any mention of genealogy becomes absurd. The only rational conclusion is that I’m a human being.

Maternal Haplogroup T2f1

Frederick Glaysher

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Borges. A Signature.

Borges. A Signature.

Borges. A Signature. June 8, 2010.

Life becomes a Borges story. For a few months I’ve been reading and writing about Jorge Luis Borges. This afternoon, tidying up my study, I stumbled upon a used paperback copy of Borges On Writing, 1973, which I bought in Ann Arbor, Michigan, during the winter, and sat down to read it. His signature is on the title page! It looks a lot like this one online for $31,000! 

Surreal, South American magic fiction kind-of-thing… Of the couple of thousand books I have, I’ve never found any other signed copies… of the thousands of books I’ve read from libraries during my life I’ve never stumbled onto a signed copy… and then to find the only one that is signed by someone I’ve been thinking and writing about for months is strange. I like to think I’m largely a rational person, realizing it’s merely coincidence, but it’s still surreal, given all his surreal, bizarre stories and poems…

Here’s another sample Borges signature, for an incredible $18,000.

The same flourishes of the “g,” capital “B,” and his characteristic upside down “T” at the end. What does that signify? Some transcendent symbol? A mystic alef of his mind? A shakiness in the cramped hand, blindly struggling to sign the book held in the air, held inches from the eye, the way Bob used to? Another blind master…

Why do writers and artists always have to die before their work starts fetching these kinds of prices? Some crude, bourgeois calculation involved.

I’ve scanned it in. Somebody tell me I’m wrong!

After the 1973 publication of  Borges On Writing, he was at Michigan State University twice, in 1975 and 1976, the latter for a full semester, during which he spoke or read at other colleges in Michigan. It’s doubtful that the opportunity wouldn’t have arisen for Borges to read at the University of Michigan, my alma mater, and the major, international university of the state, in Ann Arbor. A student or faculty member, working his or her way up the line, for his signature, a signed copy, unknown to his family or heirs, forgotten, dumped into one of Ann Arbor’s many used book shops, for a few bucks… or a student, as poor as I was once, needing a meal… 

“Uncanny,” as a Facebook friend has said. The word surreal keeps swirling around in my head… For some reason, Borges’ story “The Approach to Al-Mu’tasim” has also kept coming to mind, since my discovery, his search for Attar’s Simurgh, which all connects intimately with a poem I’ve been writing.

There are times when the intuition can surpass and lead aright the rational mind. Perhaps a fellow writer can help us more than we are able to understand, reach out even from across the grave… how non-modern, how contrary to our quotidian, rational assumptions, modernity’s cliches and distortions, petty pieties.

Through the mirror, through the mirror, to the next continent, somehow, through the mirror…

Frederick Glaysher

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Borges. Moon Mirror. Mirror Moon.

Earth, Africa, Apollo 11

Borges. Moon Mirror. Mirror Moon.

On the pampas. Buenos Aires. “O Poet of the Moon!” Under the Southern Cross, bitter juntas of the soul.

And so I find myself standing before what I’ve thought of for decades but have not been able to confront, write about. Thinking of it, year after year. An omnipresent obstacle, challenge, too hot to handle, stepping around it, sensing always its presence, why me, why me, who assigned this to me? A choice, an answer to a call, by default, delegation, destiny, long refused, evaded, a sense of futility overwhelming, filling me with a loathing for its very terms, find another scapegoat….

Mirror moon draws me in, and I cannot refuse to go, on to another continent… time come… its arduous demands, relentless, sacrifice of self, safety and content, all past, receding, far away now…

Frederick Glaysher

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Passage to the Americas.

Passage to the Americas

Passage from India. Passage to the Americas. Walt captains the Persona back from the “streams of the Indus and the Ganges.” “Circumnavigation.” Pacific blue.

I had not intended it. The thought hadn’t even occurred to me. It was a discovery of the writing itself. The journey was so arduous I had wanted to end it in India, go back to the moon… “have done, have done, with every vain, dinning complexity.” I might have thought of it a few times, but always dismissed it, couldn’t see a way through South America.

And then I stood on the pachisi courtyard. Alone. Believing it was time to return to the moon.

Borges opened the door, showed me the way, my reading of him, forty years ago, overwhelmed me to my utter amazement. The structure through the struggle. Neruda’s “The Heights of Machu Picchu,” Octavio Paz, Archibald MacLeish’s “Conquistador.”

Mayans, Aztecs, Incans. Argentina’s “disappeared.” Borges, through a mirror…

Frederick Glaysher

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