Category Archives: eReading, eBooks

eReading, eBooks reflects on the qualitative nature of reading on digital devices, the *experience* of eReading.

Leo Tolstoy. Hadji Murad.

Leo Tolstoy. Hadji Murad. 1911.

September 30, 2009

Lev Tolstoy's Favorite Bench

Lev Tolstoy’s Favorite Bench

I recently downloaded and read from Google Books Tolstoy’s novella Hadji Murad. It’s one of the very last pieces of fiction he wrote, finishing it in 1904, published in 1911, the year of his death. The short novel, about 200 pages on an ereader, has always been praised as an exquisitely crafted work of art. Tolstoy allows the structure and interplay of events to speak for themselves, eschewing nearly all temptation to explain to the reader his intentions and meaning. For precisely this reason, the book may be an especially challenging one. Before stating what I think of Hadji Murad, I must touch on my very long relationship with Tolstoy….

Now available in

The Myth of the Enlightenment: Essays
Forthcoming, September, 2014.

https://www.earthrisepress.net/myth_of_the_enlightenment.html

Frederick Glaysher

 

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Papyrus, cuneiform, rice paper, vellum…

ebooks, eReading

ebooks, eReading

Papyrus, cuneiform, rice paper, vellum

February 23, 2009

Papyrus, cuneiform clay tablets, rice paper, palm leaves, tree bark, vellum, deer skin, decorative gilt leather, chiseled marble, copper plates, silk scrolls for fastidious delectation, and so on. Electrons, ebooks, will find their role and level.

One thing all these FORMS of reading demonstrate is that the nature and experience of reading has through the centuries assumed numerous physical shapes. Not everyone will want to make the transition, and not for every type of book. Literary and artistic, cultural works, especially, will continue to preserve and honor, at times, the exceptional qualities of high weight and exotic papers. Under all the Forms, Platonic, the experience of the Archetype, the Idea, if you will, prevails and will continue… in the mind of a human being.

Those who worry about the demise of the book should take heart from history. But why waste so many trees on manuals, pulp fiction, the required textbooks that the overburdened backs of school children lug around, unread — and the ephemeral newspapers that more and more people read online?

Call me old fashioned and nostalgic, but I hope we’ll always hold some books worthy of time-honored paper, linen, and vellum, as an art form, in its own right, if nothing else.

 

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Trip to the Moon. Lucian.

ebooks, eReading

ebooks, eReading

Trip to the Moon. Lucian.

February 22, 2009

Last April I read Lucian of Samosata’s A True History or Trip to the Moon, circa 160 AD from a text on Gutenberg and a second one I found on Google. As a Journey, it was interesting to me, especially given its destination. I found it, though, a little tedious, too poorly structured and improbable with all its weird and fantastic beasts of war. The episodes of the journey are inharmonious, while the book lacks a coherent theme capable of resolving them. A great fragment, one that obviously influenced Rabelais and Jonathan Swift.

Lucian naturally led me to Cyrano de Bergerac’s A Voyage to the Moon (c. 1650). The text I read was from Google Books, the 1899 reprint of Samuel Derrick’s 18th century translation. It’s a much better structured work, but it too suffers from its very conception, for as Aristotle understood, it is in the selection and arrangement of the plot that the poet demonstrates his real ability. While Bergerac chooses incidents that are outlandish, properly fitting to his chosen genre, satire, it nevertheless is all too far fetched to ever get off the ground for me. There’s a charm and delight to the book, with much humor, but he makes the mistake of using a linear plot, and then just bails out at the end with an all too easy return to earth. Jonathan Swift was known to have read Bergerac, which readily makes sense, especially chapters VII – VIII, as readers have observed.

Some science fiction fans apparently look to both books as antecedents of the genre. I don’t. The Imaginations of Lucian and de Bergerac fly much higher and deeper in literary terms, though both books demonstrate the limitations of the genre.

I couldn’t have read either of them as easily without an etext making them accessible. They’re both fairly obscure books. The book by Bergerac is not to be confused with Ronstad’s play, an amusing farce in its own right, with some tragic overtones, but still not literature of the highest order.

I was very conscious at times that I was reading very old books, in a very contemporary format, with all the enjoyment and delight of a printed text. I’d have had to wait days, or a week or two, had I ordered them off Amazon or at a local bookstore.

At some point, I would say, scholarly standards must improve for ebooks, but that’s another matter, much commented on, yet unresolved. People worry about losing the Book, but I think the book can take may forms, and still deliver what’s essential.

Frederick Glaysher

 

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Hard to Hear a New Voice

ebooks, eReading

ebooks, eReading

Hard to Hear a New Voice

February 18, 2009

As I’ve mentioned, I’ve now read books on a digital device for over a decade. I started with the original Palm PDA, the green one, a piece of ancient technology. I then progressed up the scale with two subsequent Palms and now have the Sony Reader PRS-5o5, which seems to me an incredible leap forward.

I’ve read everything on one device or another, including the following books, or large sections of them: Shakespeare’s King Lear, Macbeth, Chaucer, Cicero, Milton, numerous writings of Martin Luther, Joel Barlow, Philip Freneau, Thomas Carlyle’s Sartor Resartus, and over the years more than I can immediately remember. Most recently, I’ve read D. H. Lawrence, Studies in Classic American Literature, a book I always wanted to get around to reading, though he was never one of my literary heroes: “It is hard to hear a new voice… We just don’t listen.”

I think something like that has happened with eReaders, as it has with literature and poetry, but it’s changing as the technology has improved. The Kindle didn’t appeal to me given the required uploading of one’s own documents, and downloading them back to the device. I chose the Sony Reader because I believe it’s more flexible. I have an existing library of over a thousand books from Gutenberg.org and all over the Net, including some I’ve scanned myself. I wanted more control over my library than I ultimately felt the Kindle and other eReaders would allow me.

Sony’s software, though, has problems that get in the way of the experience of reading, requiring far too much tinkering around to copy files already sorted on one’s hard drive into “collections.” They’ve been criticized too, perhaps justly, for trying to corner the market in their own way. I think Sony has a chance of beating the Kindle and other devices, if it allows readers to hear the voices, some new, of the writers they want, not just those on its propriatary bookstore site, and develops a better software package to support the eReading experience. Only one or two updates during the last few years just isn’t enough support for serious improvement to take place. Sony needs to listen to and to hear its users if it’s ever really going to improve, and not just the technically inclined, but those who are serious readers of real literature, not the predominantly popular schlock they’re pushing on their elibrary bookstore.

Or Sony’s Reader will go, I suppose, the way of the US car industry… another company will figure it out.

Frederick Glaysher

 

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