Category Archives: Universality

From the Moon, together, we can see it…

Open Letter to The New York Times Book Review

Open Letter to The New York Times Book Review

August 12, 2012

Sam Tanenhaus, Editor
The New York Times Book Review
620 Eighth Avenue, 5th Floor
New York, NY 10018

Dear Mr. Tanenhaus,

I write to ask you to reassess the policy of The New York Times Book Review, as stated on the submission help page, that “we only review books . . . available through general-interest bookstores.”

Such a policy does not serve the best interests of readers, writers, nor the general culture. It serves the economic hegemony of largely New York corporate publishers and corporate distributors and bookstores, as well as the library journals of review and acquisition, and other outdated gatekeepers. It prevents new voices and ideas from reaching the nation. With the development of online booksellers and ebooks and the demise of Borders, the policy is no longer defensible, if it ever was.

I have enclosed a second letter that introduces myself and my accompanying epic poem, which I believe is the first epic poem in the English language in 345 years and the first global, universal epic. I invite you to consider reviewing it.

As a Post-Gutenberg writer and publisher, I reject the old model and ask The New York Times Book Review to embrace the new one now struggling to be born.

Sincerely yours,

Frederick Glaysher

 

— Second letter enclosed —

August 12, 2012

Sam Tanenhaus, Editor
The New York Times Book Review
620 Eighth Avenue, 5th Floor
New York, NY 10018

Dear Mr. Tanenhaus,

I invite you to review The Parliament of Poets: An Epic Poem, which will be published in November, and takes place partly on the moon, at the Apollo 11 landing site, the Sea of Tranquility. I believe it is both the first epic poem in the English language in 345 years and the first global, universal epic.

Apollo calls all the poets of the nations, ancient and modern, East and West, to assemble on the moon to consult on the meaning of modernity.

All the great shades appear: Homer and Virgil from Greek and Roman civilization; Dante, Spenser, and Milton hail from the Judeo-Christian West; Rumi, Attar, and Hafez step forward from Islam; Du Fu and Li Po, Basho and Zeami, step forth from China and Japan; the poets of the Bhagavad Gita and the Ramayana meet on that plain; griots from Africa; shamans from Indonesia and Australia; Murasaki Shikibu, Emily Dickinson, and Jane Austen, poets and seers of all ages, bards, rhapsodes, troubadours, and minstrels, major and minor, hail across the halls of time and space. One of the major themes is the power of women and the female spirit across cultures. Another is the nature of science and scientism, as well as the “two cultures.”

I studied writing with the poet Robert Hayden, who was one of W. H. Auden’s students at the University of Michigan in the early 1940s, edited both Hayden’s prose and poems, and have written or edited several books.

I lived for more than fifteen years outside Michigan—in Japan, where I taught at Gunma University in Maebashi; in Arizona, on the Colorado River Indian Tribes Reservation, site of one of the largest internment camps for Japanese-Americans during WWII; in Illinois, on the central farmlands and on the Mississippi; ultimately returning to my suburban hometown of Rochester. A Fulbright-Hays scholar to China in 1994, I studied at Beijing University, the Buddhist Mogao Caves on the old Silk Road, and elsewhere in China, including Hong Kong and the Academia Sinica in Taiwan. While a National Endowment for the Humanities scholar in 1995 on India, I further explored the conflicts between the traditional regional civilizations of Islamic and Hindu cultures and modernity. (See in the Contents “About the Author” for further details.)

I have been extensively involved with Post-Gutenberg publishing for well over a decade, and all my books are available worldwide, in printed and electronic form, as will be The Parliament of Poets in November. It will be marketed through over a hundred and fifteen advance review galleys, worldwide, both printed and digital, and through Google Adwords, my website and blog, Facebook, Google+ and other social networking, along with a national author tour and radio interviews, including epic poetry readings and lectures. In January 2009, I was mentioned in Rick Stevens’ Poetry Foundation study, “Technology: Poetry and New Media,” as “a dynamic presence among the advocates of self-publishing and adopting the independent music model of direct purchase from artist to consumer.”

Sincerely yours,

Frederick Glaysher

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Book Cover, The Parliament of Poets

The Parliament of Poets: An Epic Poem

The Parliament of Poets: An Epic Poem

Book Cover, The Parliament of Poets: An Epic Poem.

Arguably, fiction evolved out of epic poetry. As a story, a tale, I’m bringing it back!

For years I’ve dreamed about the book cover for The Parliament of Poets, a concrete metaphor of the epic itself, and have finally put it together, with the Hubble Telescope Ultra Deep Field image of space, in the constellation Fornax, from 2003 to 2004, looking back at the light of the universe more than 13 billion years ago, and the photograph from Apollo 11 of Earthrise.

I first began to think in this direction when I saw the Hubble Deep Field images, taken in 1995 and 1998. I knew I was looking at images unlike anything ever achieved by the human being. They came together in my mind, resonating with my long interest in astronomy and the themes of my thought and poetry, science and scientism, imagination and reason, man and woman, all the antinomies.

I’ve finished now the seventh draft through Book IX and should be able to finish the entire seventh draft in about a week to ten days. I continue to think that I’m closer to being done with the entire book than I had realized, the writing of the first five drafts of the epic by hand having put me considerably ahead of the curve. This seventh draft has turned out to be a reading of the printed sixth draft, with particular attention to the readability of the text, to word and eye. I intend still to do one more draft going over my “Epic Notes” folder on my hard drive, but it’s more out of a sense of diligence, now, than of any intention to make major changes or revisions. What I had wanted to include from there in the poem was incorporated long ago. I’m starting to feel that I’m nearly done with the poem and must  be careful not to overwork it.

I’d very much like to serialize the individual “Books,” highly episodic chapters, somewhere, as in a magazine or journal, in the old days, when more publications were willing to do so, reminiscent, in my mind, of Charles Dickens and other Nineteenth Century writers, and then the full book in the early fall. The small literary magazines, quarterlies, and academic journals rarely publish anything beyond short lyric poems and single short stories. The New Yorker, The Atlantic, and Harper’s have mostly become symptoms of our cultural problems, like Time and Newsweek. None of them would publish something like an entire epic poem! …even in installments of chapters. One Book would probably fill much of a thin issue of a literary magazine like Poetry.

A summer serialization, twelve weeks, as it were, into the fall. A dream in itself… but how, and what would be its fulfillment in the Post-Gutenberg Age? What would it look like? Where?

As someone involved for so long in independent publishing and Post-Gutenberg developments, I resist the idea of publishing The Parliament of Poets in a conventional manner, for reasons I explain elsewhere. There must be a way to publish it so as to affirm the expanding freedom of the individual as a result of the decentralization of the Digital Revolution. And given the Web 2.0 world of social networking, it would be interesting to receive and learn from reader feed-back prior to book publication. I know my poem has already benefited from discussion with friends on Facebook and Google Plus, and it’s an exciting thought to wonder what else might be the result of serialization.

And yet after thirty years of study and reflection, four of incessant writing, I’m not about to give the book away, lose control of my own book, so I won’t be posting it here on my blog or anywhere else online.

I suppose I could publish each chapter separately on Amazon, Barnes & Noble, Kobo, Google ebookstore, and their affiliates, as well as Earthrise Press, though I don’t believe that alone would achieve what serialization in the Nineteenth Century accomplished for writers, publishers, and readers.

In Post-Gutenberg terms, a serialization that reflects our new world would have to go around the old intermediaries. Again, it must affirm the freedom of the individual now made possible globally, while protecting the individual right to intellectual property. It would, too, I believe, contribute to the exponential change that is sweeping the globe, by helping to demonstrate what is now possible, brought further to fruition, which has not yet really been made evident by a piece of literature of the highest order, but rather only the popular genres, such as detective, romance, and vampire fiction.

The clearest wake-up call to the old order will be when a serious literary work goes global and viral, without them. I believe I’m the poet, with the epic poem, that has that potential. Where is the Post-Gutenberg venue that has the vision and ability to make it happen? That is ready, and has evolved, to the point that it can? I have the history and background congruent with what’s required, and the poem. Do they have, not only the technical ability, but the humanistic, visionary prerequisites to recognize and promote it?

Frederick Glaysher

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The Decentralization of the Post-Gutenberg Age

ebooks, eReading

ebooks, eReading

The Decentralization of the Post-Gutenberg Age

‘E-books make the Gutenberg system, which still characterizes the industry after 500 years, absolutely obsolete,’ insists Jacob Epstein, the veteran publisher who invented trade paperbacks and founded the New York Review of Books.” “E-publishing radically decentralizes the marketplace,” Jacob Epstein.

The decentralizing of  post-Gutenberg publishing is something that I can speak about with intimate knowledge and ties in with my book of poems Into the Ruins and other books. In the mid nineties I became disgusted with the conventional avenues of cultural and literary publishing, both books, journals, and magazines. I had more than a decade of rejection slips from ignoramuses who demonstrated not the slightest understanding or familiarity with the manuscripts I sent them, along with a number from highly respected editors at major publishers, one, for instance, telling me he thought my book The Grove of the Eumenides should receive a hearing but did nothing to make it happen. I came to think very little of nepotism, especially in publishing. Other editors, publishing their post-modern drivel, enjoyed indulging themselves at my expense, they apparently thought. I quite consciously walked away from the whole conventional publishing scene, and the university in 1996, and began seeking ways to go around the stranglehold of both, directly to the reader.

I first thought the way to go around the decadent post-modern establishment and open a new path for literature, seeking to revive and renew its deepest humanistic traditions, was the time-honored route of typical self-publishing and brought out Into the Ruins through the printer McNaughton Gunn in 1999 under my own independent publishing company, Earthrise Press. While I sold some books through Borders and Barnes & Noble, through Baker & Taylor, I found them all to be opposed to an independent voice. A selection from the approximately twenty Reviews from that time are on my website. Despite a few insightful reviews, no one really understood what I was fully attempting with Into the Ruins. Thus far, the same has proven to be the case with The Bower of Nil in 2002 and The Grove of the Eumenides in 2007.

Along the way, I evolved into using POD (Print on Demand) technology through Lightning Source and thought the way around the stultifying post-modern status quo would lie in that direction, which nevertheless opened up the way to the global reach of the Internet booksellers to an amazing degree, shocking me that I could sell books around the world. Very early I recognized the value of Jason Epstein’s Espresso Book Machine, though it’s yet to fulfill its potential.

Along in there, too, ebooks increasingly became a possibility, and I published all of my books into ebooks, available worldwide and going around all of the conventional gatekeepers. The record of much of the evolution of my thinking is in my Publishing in the Post-Gutenberg Age
https://www.fglaysher.com/Post_Gutenberg_Publishing.html

Like everyone else, I’ve evolved along the way with a website since 1998 and a blog, eventually Web 2.0 social networking… Facebook, Google+ and Twitter.

Through all that, I continued to study and work towards my epic poem, the earliest notes for which are from 1982, recently finishing the fifth draft in March of 2012. It’s not only the methods of publishing that I’m talking about, but how the identification and promotion of disparate views and visions of life, in literary terms and otherwise, evolve and reach the broader culture. I have not devoted over thirty years of my life writing an epic poem to allow a corrupt, conventional corporate publisher ever to touch it. Everything I’ve written is about the freedom of the individual soul, and the poem must be published in such a way as to affirm it.

Frederick Glaysher

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Poetry Reading at the Albany Word Fest

Friends,

I’ll be reading from the fifth draft of my epic poem The Parliament of Poets at the 2012 Albany Word Fest, Saturday, April 21, 2012, 1:15 pm, in Albany, New York, at the Albany Public Library, 161 Washington Avenue, Albany, NY 12210. Main Library Large Auditorium. You’re invited!
https://www.albanypoets.com/wordfest/

For a previous excerpt, see my reading at the Buffalo Small Press Book Fair, Karpeles Manuscript Library Museum, Buffalo, New York, March 24, 2012, from Book III, in medias res, on the moon. Copyright (c) 2012 Frederick Glaysher.

“Who needs warp drive when I’ve got Queen Mab,
My escort and midwife of my dreams.”

YouTube: https://youtu.be/XlWTzhNjIb4

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