Category Archives: Universality

From the Moon, together, we can see it…

What is Art for

Lunar Orbiter 1, 1966

Lunar Orbiter 1, 1966

What is Art for? It’s a commonplace thought that we used to know, but have lost, the answer to, along with God and other deeper dimensions of life. Materialism, commercialism, politics in the worst sense, anomie, nihilism, solipsism, and all the other fare out of the intellectual soup kitchen of modernity now provide the meager gruel of our existence. As though there were only one thing that art is for.

Before there was art, beyond the modern panoply, there was worship of the Unseen Essence, and human beings of all tribes, in every aspect of their lives, expressed, recorded, honored, intimated, found metaphors for their experience of what the Lakota Indians, for one, called Wakan Tanka, the Great Mystery.

We’ve been colleged. We’d never fall for that. After all, what was Marx and Freud and the great Enlightenment all about? What were they for? It’s either one or the other…. One is either an educated person or one is….

Frederick Glaysher

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Unity of Being

Unity of Being

Unity of Being

W. B. Yeats struggled for, but never achieved, Unity of Being, seeking it throughout A Vision. For all his phantasmagoria, he could not create or renew a convincing vision, a Unity of Being.

I believe a vision can be achieved but on the moon, or from the moon–our time has seen and felt the impact of the great symbol, Mother Earth, her circling embrace, as her arms wrap around us, a celestial Rose Image, terrestrial oxymoron of the Universe.

Viewing our homeland from space, who can doubt that Unity of Being begins to return?

Frederick Glaysher

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Searching for the Path

Crescent Earth, Apollo 11 on Return Trip

Crescent Earth, Apollo 11 on Return Trip

It was, I suppose, out of my reading, partly, in high school, of the religious scriptures of the world religions that my consciousness began to open up to other ways of life and thought, belief and faith, practice and sensibility. Later, in college, other classes in world religions and religious studies, Christian and otherwise, with continual reading of and beyond poets and writers, broadened my worldview, especially once I had found my way to the writings of Baha’u’llah.

Now I can clearly see that even back then I sensed the exclusivism implicit in the usual thinking about religion was not part of Abdu’l-Baha’s Interpretation of his father’s writings.  Abdu’l-Baha’s outlook was a wide and open embrace of humanity and all the great religions. He located “The Path” in all the great faiths, without the subsequent attempts by some Baha’i denominations to claim an exclusive authority and interpretation. It was Abdu’l-Baha’s emphasis on the unity and universal truth of all the ways to the Divine Being, the Great Mystery, that attracted me and struck a deep resonance in my soul.

Frederick Glaysher

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The Globe. A Journal.

Earth, Africa, Apollo 11

Earth, Africa, Apollo 11

As long ago as a couple of decades I thought of creating a literary journal named “The Globe,” but the time never seemed right, and I knew the required effort would interfere with my own study and writing. Being a very solitary individual and writer, I knew too I did not possess the gregariousness and patience needed to draw together a group of people of similar worldview, literary, artistic, political, and so on, that a publication must have. From very early as a writer, I realized I was largely on my own. Only Robert Hayden and I were able to understand one another, and even then I felt he failed to confront many issues of the highest import, especially in terms of the Baha’i Faith and its cultural and historical implications, especially its fanaticism, hidden out of view from the general public and even most Baha’is. The few other young Baha’i would-be artists I knew or heard of were hopelessly naive and incapable of independent thought and reflection. They had drunk the Kool-Aid, as proffered, nescient of the actual history of Abdul-Baha in the West. There were no other people of sympathetic vision, aesthetic, moral, spiritual, political, in terms of the United Nations or a cooperative body like it, to which I could turn and work together to create “The Globe.” The prevailing literary ethos of nihilism, as always, was entirely closed off in its conventional assumptions.

So I continued on my way. Solitude, study, reading and confronting the masters, wavering between the deepest ravages of self-doubt and despair and the exhilaration of vision and inspiration, writing as I could, struggling year after year to find and chart a different course, one true to my experience of life, attempting to embrace all of humanity, or as much of it as I might reach.

And now a new form comes along, over the last several years or decade, now well established, and the time is right for me to turn to and use it, enabling me to pick back up, as it were, in electronic form, the writer’s journal I left off from nearly thirty years ago, back then, after a decade of writing one. Perhaps this is The Globe I’ve wanted for so many years. And a way to speak to humankind.

Frederick Glaysher

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