Frederick Glaysher

Poetry Reading: Frederick Glaysher, March 24, 2012

March 28, 2012 at 11:09 am

"Who needs warp drive when I've got Queen Mab,

My escort and midwife of my dreams."

 

Reading from the fifth draft of my epic poem, The Parliament of Poets, at the Buffalo Small Press Book Fair, Karpeles Manuscript Library Museum, March 24, 2012. From Book III, in medias res, on the moon. Copyright (c) 2012. https://youtu.be/XlWTzhNjIb4


UnknownHow did it go?
March 29, 2012 at 9:36 am
Frederick GlaysherThanks for asking. Fairly well... I'd like to think. I have a 12 minute recording of the reading online at Youtube, if interested: https://youtu.be/XlWTzhNjIb4
March 29, 2012 at 11:19 am
UnknownYes, I am interested. I will listen when I get home. Just curious, how many lines is your epic now?
March 29, 2012 at 11:26 am
Frederick GlaysherI've thought long and hard about length... I don't believe a modern epic can be as long as Vergil or Dante 12,000 to 19,000 lines. Even Milton at 10,565 lines is too long, in some books, for most readers, especially people without a literary background, and there are such people who read Milton. I want to reach them, too, so I've intentionally carved down the form to about 8,500 at the moment. I'll probably add some hundreds of lines, 9,000 or less total. How about you?
March 29, 2012 at 11:36 am
Frederick GlaysherAlso, I'm trying to address an international readership, and I think length could get in the way. I believe form and symmetry are more important than length.
March 29, 2012 at 11:39 am
Frederick GlaysherFound my notes on Homer. He racks up around 15,693 lines for the Iliad. Probably the Odyssey is around that... too long, especially for international readers of varying English command. That would be a very hard ordeal and take the enjoyment out of it.
March 29, 2012 at 11:46 am
UnknownSo far I have written stories for the lives and thoughts of about 15 Greek philosophers. I am working on Epicurus now.

The total epic, Hermead, in this first draft, is at about 24,000 lines. The average tale is about 500 to 800 lines. The tales of Plato and Aristotle are at 3,000 lines each. The tale of Epicurus is now over 1,200. I like him so I am spending more time working through his tale.

I am thinking of getting their tales published in a first volume. I will be writing about the Alexandrians, the Muslims and European Alchemists, then the greats like Galileo and Newton, then into the modern age, including Bohrs and Einstein. At the end I plan to round it all up with an exposition of Evolution from the Big Bang.
March 29, 2012 at 11:47 am
Frederick GlaysherSounds ambitious! A number of Milton's books are around 650 to 800 or so, with 1200 being the longer ones, a full reading at one sitting. To my mind, for less disciplined readers than myself, 1200 plus is hoping for a lot in the modern world. Aristotle's old saw about the poet choosing the right details and so on have always remained in my head. Focus and selection, to help the reader pick it up and read the whole thing seems more important than length, but that's just my choice. I respect each poet has to make such decisions for their own craft.
March 29, 2012 at 11:55 am
UnknownAbsolutely. In trying to keep the stories short, I feel I am rushing through them. I was quite surprised to paste them all in Word and see the line count. I expected it to be a lot shorter.
March 29, 2012 at 12:15 pm
UnknownI enjoyed your dramatic reading in the video. I watched it after I got home.
March 29, 2012 at 3:11 pm
Frederick GlaysherI'm glad to hear you enjoyed it. I believe it conveys a fair sense of the whole epic.
March 30, 2012 at 2:31 am

Hibakusha Nightmare

August 7, 2011 at 6:14 am

Hibakusha Nightmare

 

O image I cannot forget,

scar-fried corpse in the midst of flight,

cradling a charred infant from the horrible, hot light.

 

 

copyright ©1999 by Frederick Glaysher

All World Rights Reserved

FROM Into The Ruins, https://fglaysher.com/into_the_ruins.html 


Helen Lossepowerful image
August 7, 2011 at 6:55 am
Hisham M NazerVivid. Your portrayal has made them visible before my eyes. Thanks for the tag.
August 7, 2011 at 7:43 am
Nishat HaiderIn “Poetics,” Aristotle rightly mentioned that poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular. The pictures, images and texts on the "explosion-affected people" of the atomic bombings of Hiroshima and Nagasaki continue to haunt, enrage and incite us... thus, establishing through the ‘visual’ and ‘creative’ frame a proximity that keeps us ethically responsive to the human cost of war and natural/man-made calamities in places that may be thousands of miles away geographically and/culturally. Frederick, your poem constructed “out of the remnants found in ruins” (as you quoted in your book “Into the Ruins”) provides insight into the complex and fragile character of the social bond, precariousness of life and leads us to consider “what conditions might make violence less possible, lives more equally grievable, and , hence more livable.”
August 7, 2011 at 8:33 am
Kabir KhanThanks for the tag but the poem is carrying brutal truth. I think the poems are made for that
August 7, 2011 at 9:48 am
Frederick GlaysherThank you, friends, for the good words.

@Nishat Haider, I've always savored that passage by Aristotle too. I've read a lot of history, of various nations and cultures, and respect that art, too, which is what it is, when done right, yet hope that poetry can convey the human element and feeling in a uniquely clarifying way. It seems to me, now with the tragedy of Fukushima, the world has entered a new dreadful stage of danger, threatening all of us. It seems we human beings so need to change our thinking and behavior at very deep levels, if we're to survive. So, thinking of Hiroshima and Nagasaki, again, I wanted to share this poem with all of you as a gesture or appeal for our vulnerable, common humanity.

In June, I wrote a short note on Aristotle's Poetics, if interested: https://fglaysher.com/TheGlobe/2011/06/02/aristotle%E2%80%99s-poetics-and-epic-poetry/
August 7, 2011 at 10:56 am
Tarun Tapas MukherjeeReally we can never forget the image...we should not and should learn to live better.
August 7, 2011 at 9:31 pm
Koyamparambath SatchidanandanNightmarish and true like all nightmares..
August 8, 2011 at 1:19 am
Nishat HaiderFrederick, it is always an intellectual feast to read your blog notes. I will definitely read your note on Aristotle's Poetics. Looking forward to your (yet to be completed) book, "The Parliament of Poets."
August 8, 2011 at 1:25 am
Frederick GlaysherNishat, I finished the second full draft on the 1st of this month, so I feel I'm past the halfway point, having now a fairly readable manuscript. With your encouragement, I'll be sure not to slack off. Three more drafts before the end of this year!
August 8, 2011 at 2:49 am
Nishat HaiderWriting, as Twain says in "Advice to Youth" (1882), requires a lot of patience, diligence and painstaking attention to detail. Wish you luck and success!
August 8, 2011 at 2:55 am
Jennifer ReeserGood luck!
August 9, 2011 at 5:42 am
Yuri KageyamaNever again shall we see this in this world. Thank you for the poem. So pertinent as Japan faces a new kind of nuclear nightmare.
August 10, 2011 at 1:55 am
Frederick GlaysherYuri, I hope you're right... with all my heart and soul, but fear fallible human beings still remain in control, with fallible software, of more than enough thermonuclear weapons to destroy much of the planet, while even less balanced regimes have and seek the means of destruction. And the power planets themselves are scattered all over the world, which is much more geologically active than perhaps we previously realized before the Tohoku and Aceh earthquakes and tsunamis. Can human beings control such forces? Has it not been hubris to think that we could?

The scope of Japan's new nuclear nightmare is truly shocking and appalling as more information comes out and about what was suppressed early on. I really feel for people in Japan. You've lost an enormous and productive piece of the island of Honshu to what is essentially virulent poisons that will persists for generations, if not centuries, causing sickness and death, with various levels of radiation spread even south of Tokyo and elsewhere. Prof. Tatsuhiko Kodama's recent testimony (transcript in English) about the situation suggests how serious it is. "This means that the disaster of Fukushima Nuclear Power Plant this time is like Chernobyl, and has emitted radioactivity multiple of tens greater than an atomic bomb. We have to assume that we have much more radioactivity than the contamination by the atomic bombs." https://www.facebook.com/notes/%E7%A6%8F%E5%B3%B6%E3%81%AE%E3%81%93%E3%81%A9%E3%82%82%E3%81%9F%E3%81%A1%E3%82%92%E5%AE%88%E3%82%8D%E3%81%86/a-testimony-by-prof-tatsuhiko-kodama-transcript-in-english-version-10/264082103606328

A terrible tragedy... one clearly with no easy answer, that's going to continue for a very long time to come, for Japan, and the world, really, for the radiation has spread far beyond Honshu too.
August 10, 2011 at 4:08 am
Yuri KageyamaYes, a big job for reporters like me. The irresponsibility of some experts to declare things safe is mind-boggling as obviously no one can be sure.
August 10, 2011 at 6:52 am

Perseus

August 9, 2010 at 6:39 am

Perseus
(Cellini)

Winged sandals strapped to my feet,
I stand in the piazza of Florence,
holding in my out-stretched left hand
the Gorgon-head of nihilism,
its putrid guts and black blood
dripping from its severed neck,
severed by the sword of my pen,
standing over the corpse of Medusa,
over the corpse of Nietzsche’s Zarathustra.




Copyright © 2010 Frederick Glaysher
All World Rights Reserved

Nana Fredua-Agyeman'severed by the sword of my pen,' was very unexpected as the next line. It really did hit me.

Nietzsche’s Zarathustra.....???
August 9, 2010 at 6:57 am
Koyamparambath SatchidanandanPithy and precise. Was thinking of The Laughing Medusa..and the feminist symbolism around the figure of Medusa's murderous gaze... trying to connect it with this reading.
August 9, 2010 at 8:27 am
Garrett HongoHeroic and bold!
August 9, 2010 at 11:20 am
John GuzlowskiPoor Nietzsche. To be dead and having poets sticking their pens in him still. There must be something good we can say about him.
August 9, 2010 at 12:29 pm
Frederick GlaysherThanks all for commenting.

@Koyamparambath Satchidanandan, In so far as the laughing medusa stems from the same nihilism of Nietszche, structuralism, and Derrida, I see it as more of the same...

@John Guzlowski, I make the point in a narrative poem, The Bower of Nil, that he cleared the ground... after that, his foreskin on my spear...

@Garrett Hongo, I appreciate your good words.
August 9, 2010 at 3:54 pm
Richard AliSplendid job here Doc.
August 9, 2010 at 5:57 pm
Jayne Lyn StahlNietzsche would love the honorable mention---nice!!! Thanks!
August 9, 2010 at 6:47 pm
Unwana Umanabeautiful think!
August 10, 2010 at 2:53 am
Jennifer Reeser"the Gorgon head of nihilism" Gorgeous!
August 10, 2010 at 3:10 am
Frederick Glaysher@Unwana Umana, @Richard Ali, - Thank you for saying so; a poet, not a doc.

@Jennifer Reeser, Nihilism has turned the heart of modernity to stone... Nietzsche's "transvaluation of value," turned everything inside out, good bad, bad good... civilization cannot do that and remain worthy of the name. The state we're in... Hitler's extensive fascinating with Nietzsche is a telling fact, one we forget to our peril. Ideas do mean something. The glorification of savagery, the will to power, his degrading of women, etc., lead to actions. Neither the individual nor a culture can have it both ways. "Soft" nihilism is not soft at all.

The greatest voices of human experience affirm the value of value...
August 10, 2010 at 3:49 am
Fiona ZerbstFrederick, thank you for this, I'm inspired. And thanks to you, I revisited Milosz and bought 'Second Space', which is too, too wonderful. Now I feel that my later years as a poet are on this trajectory. I shall affirm - though not in a Nietzschean sense. ;)
August 10, 2010 at 5:21 am
Fiona Zerbst"My presence in such a place was disturbed / By my duty as a poet who should not flatter popular imaginings." Ha!
August 10, 2010 at 5:23 am
Frederick Glaysher@Fiona Zerbst, I pulled my copy of "Second Space" off my shelf and flipped around trying to find that line, "By my duty as a poet who should not flatter popular imaginings," without success. What poem is it from?

I reread Tolstoy this morning, for August 8, his last book, A Circle of Wisdom, thinking of Nietzsche, "The opinion of a revered writer or thinker can have a deep influence on society; it can also be a big obstacle to understanding real truth." That's what Nietzsche has become for modernity, a pervasive poison, disseminated first throughout Western culture, and then the world, through sundry derivatives, Heidegger, Derrida, etc... the university, often East or West, the cave of Zarathustra...
August 10, 2010 at 5:45 am
Fiona ZerbstInterestingly, when I became religious, I sold a lot of books (shed them like a skin). FN went with 'em. But I kept some Barthes, he's poetic. Never had much time for Derrida.
August 10, 2010 at 6:03 am
Frederick Glaysher"Religious," a very obscure, elastic term... I couldn't ever give up Nietzsche. He's too insightful about the nature of modernity. Milosz?
August 10, 2010 at 6:10 am
Fiona ZerbstI read N. from 16 - 36, roughly. Internalised him. He was a big part of me. But had enough. Gave him up. Am not big on theory, everything I read now is to serve my poetic future.
August 10, 2010 at 6:34 am
Frederick GlaysherI would argue one cannot give up Nietzsche, as though he were merely an unpalatable or fatty diet... Many writers and poets of various persuasions, "religious" and otherwise, have tried or thought they were doing so, for decades, a hundred years. His reasoning, arguments, and the *poetic* force of his logic must be answered in kind, at the deepest level, which requires reading and understanding what and why he thinks as he does, why he has been so persuasive for the modern world.

Only then can intellectual and literary culture, global now, move beyond Nietzsche, as I have. I answer him fully in my book The Bower of Nil...

A vision beyond modernity can only be articulated in a global context, for that is what we have become, what culture has become, as I argue in an essay I'm currently finishing, Leo Tolstoy and 'The Last Station' of Modernity.
August 10, 2010 at 6:46 am
Fiona ZerbstI look forward to that essay. Shall send you my short Nietzsche poems. I have not given him up in that way, precisely, but he no longer feeds me. It is not impossible that I'll revisit him in the future but, for now, my needs are other.
August 10, 2010 at 6:55 am
Frederick Glaysher@Fiona Zerbst, I'm still curious about your quotation from Milosz, "By my duty as a poet who should not flatter popular imaginings." What poem is that from?
August 10, 2010 at 6:58 am
Fiona ZerbstSorry - 'Treatise on Theology' - 23. Beautiful lady. Fourth last line.
August 10, 2010 at 9:00 am
Frederick Glaysher@Fiona Zerbst, I think the antinomies are where the weight falls in Milosz, Treatise on Theology is a good example, the lines you quote, and others. I wrote on essay on Milosz in which I cite, from Treatise on Theology, "One day I believe, another I disbelieve." Take that away from Milosz and what's left?

For more on Milosz, see July 13 to 14 on my wall, @Duncan McGibbon - a Catholic who makes it clear, at least for him, that Milosz isn't one. The allusions to Swedenborg, Mickiewicz, the Masons, etc., are more than detritus. His "duty as a poet" should be understood in such a context, i.e., to "not flatter popular imaginings."

Anyway, Milosz's attempt to answer Nietzsche was definitely unsuccessful... for the usual mythological reasons.
August 10, 2010 at 10:33 am
Fiona ZerbstWhy would one want to take that away from him? He is what he is.
August 10, 2010 at 11:08 pm
Frederick GlaysherThat's my point. What is he? He's written that into his work... a marker in itself of modernity... its evasions.
August 11, 2010 at 1:13 am
Fiona ZerbstInteresting. Which poets would be the antithesis of that? If one can put it like that. Are there not 'pre-modern' poets that dissemble and evade? And if so, what is their point of reference? Breaking away from the church? Not sure I'm being very clear here... hope you know what I am trying to say. I am very tired today.
August 11, 2010 at 1:17 am
Indrani Datta ChaudhuriInteresting. A Bloomiam "misreading"! Of Nietzsche?
August 11, 2010 at 4:59 am
Frederick Glaysher@Indrani Datta Chaudhuri, Harold or James Joyce... I leave them to their misreading. I don't think much of Harold's "misreading" and his various pedantic games.

Historically, Nietzsche's philosophy did fuel much of the most perverse thinking of the 20th century. "Hitler often visited the Nietzsche museum in Weimar and publicized his veneration for the philosopher by posing for photographs of himself staring in rapture at the bust of the great man." William L.Shirer, The Rise and Fall of the Third Reich. That's but one item in an inexhaustible nexus that people of intellectual integrity could cite.

A philosophy that incites the murder of millions on the scale of Nietzsche's is an obscenity before the great traditions of civilization, East or West. The unmitigated sophistries and relativisms of Heidegger, Derrida, et al., are despicable... and unworthy of the human race.
August 11, 2010 at 6:19 am
Indrani Datta ChaudhuriWhy "perverse"?
August 11, 2010 at 9:42 am
Indrani Datta ChaudhuriLike Vattimo I feel that Nietzsche opened us up to 'Other' cultures. May be I don't understand!
August 11, 2010 at 9:44 am
Frederick GlaysherAs a random example, a philosophy that leads to making lamp shades out of the skin of people has something perverse about it...
August 11, 2010 at 9:46 am
Frederick GlaysherHe's wrong. All the deconstruction nihilists are. A lamp shade out of a the skin of a human being is a fact, not an interpretation.
August 11, 2010 at 9:56 am
Indrani Datta ChaudhuriIsn't everything interpretation?
August 11, 2010 at 10:01 am
Frederick GlaysherNo. A lamp shade made out of human skin is not a work of art, but a work of barbarism, not an aesthetic object.

Undermining humane metaphysics and ethics, Nietzsche claimed, "War and courage have done more great things than charity." There is no charity in what Thomas Mann called Nietzsche's "glorification of barbarism," his "courage" but savagery. True charity is based on the transcendent ethic of the Golden Rule, love, and sacrifice of self for the good of others... not the abstract "Other," but real, particular human beings.

Far beyond Nietzsche, the nihilism of Heidegger, Derrida, and their academic flies have led to further dehumanization and prepared the way for the incineration of hundreds of millions, perhaps up to a billion, souls... not enough skin left to even make a lamp shade.
August 11, 2010 at 1:00 pm
Indrani Datta ChaudhuriWell!!!! But I feel they have taught 'us' to see beyond 'ourselves', and thus made a place for the 'Other'. This does not mean that I assert that making lampshades out of human skin is a civilized act, IT IS NOT, IT NEVER WILL BE, but isn't this what we all do? Use a theory from both sides? Atom bombs are made applying the same theory, one that can grow an oasis in the desert!

I agree with you about true charity. You're right. But I feel that the "transcendent ethic of the Golden Rule" is a bit too hypothetical, if we love and sacrifice the self for the sake of the other, the real other, it means that we acknowledge what the other believes in, be it Nietzsche, Heidegger, etc. etc.

Do you think that Krishna was wrong when, in the Bhagavad Gita, he said that war is a necessary evil? I believe that the significance lies in how the war is fought, sometimes with words, sometimes in silence, and non-violence can also be a mode of fighting. But once again, these are my ideas and I acknowledge and respect yours.
August 11, 2010 at 8:33 pm
Frederick GlaysherNo, it isn't "what we all do." The Golden Rule is not "hypothetical"; it has been independently tested by every regional culture and civilization on earth for millennia... the results have always been the same. Charity, Love, and concern for *other* human beings is what is best for them and the entire civilization. Altruism is its own reward...

Nietzsche's derision of humane, spiritual values led to the gas chamber...

Much of the Bhagavad Gita is about duty and non-attachment, leaving the fruit of one's actions to the gods. Krishna invokes the Golden Rule repeatedly, "He whose soul is disciplined in discipline, seeing the same in all things, perceives himself in all beings, and all beings in himself"; "Whoso looks upon all beings in the same way as upon himself, and sees likeness in all, whether it be pleasure or pain, he is deemed the supreme yogin." vi.32., etc.

Nietzsche jubilantly, defiantly spurned and derided the Golden Rule... articulated in all religious traditions, as did the maker of human lamp shades. The thinking of Nietzsche, et al., constitutes a distortion, aberration, and debasement of philosophy that has led to unspeakable violence and suffering throughout modernity.

Heidegger, Derrida, et al., spurn and deride the transcendent realm of value, purpose, and meaning, imagining they're more intelligent, sophisticated, learned, knowledgable, omniscient, than Krishna... the results cannot be anything but an even worse disaster than the death camp of WWII... even more global now.

Krishna counsels Arjuna, "Therefore get up. Prepare to fight and win glory. / Conquer your enemies and enjoy a flourishing kingdom. They are already put to death by My arrangement, and you, O Savyasaci, can be but an instrument in the fight." 11.33

It is the duty of the poet to defend civilization, what is human, and its spiritual foundations. That's why I have slaughtered Nietzsche, his nihilistic off-spring, sliced off the Gordon-head of nihilism... I invite you to read my book The Bower of Nil for the details of the battle.

I respect your conscience.
August 12, 2010 at 3:31 am
Frederick GlaysherThe Bower of Nil: A Narrative Poem.
https://books.fglaysher.com/Bower-of-Nil-9780982677827.htm
August 12, 2010 at 4:06 am
Frederick GlaysherWow. I wouldn't be adverse to it. I hope the drama is in the language...
August 13, 2010 at 3:05 am
Frederick Glaysher@Beau Blue, Thanks for asking. I don't think it's really me. But I appreciate it.
August 14, 2010 at 2:24 pm
Frederick GlaysherI'm grateful for your interest. Though a long habit of solitude might be hard to break, I'm open to readings, but don't think the venue is quite the right one for me and the poem. I respect what you're doing, in its way. Best wishes.
August 15, 2010 at 6:49 am
Frederick GlaysherAlso published on mediterranean.nu - September 2010
https://www.mediterranean.nu/?p=1771#Perseus
January 9, 2011 at 1:25 pm
Grant-Grey GudaPowerfully penned!
March 25, 2012 at 6:07 pm
Frederick GlaysherGrant-Grey Guda Thanks for the good word. I appreciate it. I've just posted today an twelve-minute excerpt from my epic poem, The Parliament of Poets, on Youtube, if interested: https://youtu.be/XlWTzhNjIb4
March 26, 2012 at 6:38 am
Neelkanth PanBeautifully crafted.
January 20, 2013 at 7:01 am
Frederick GlaysherNeelkanth Pan, Thank you. If interested, see the first chapter of my epic poem, for free, at The Parliament of Poets: An Epic Poem. The first global, universal epic
PDF.
January 20, 2013 at 7:05 am
Neelkanth PanIts very nice to read it Sir Frederick Glaysher. I want to read the whole book. I will buy it online. Thank you.
January 20, 2013 at 7:11 am
Frederick GlaysherI appreciate your interest. It's available in India on Flipkart, if you're familiar with it, or Amazon India:

https://www.flipkart.com/parliament-poets-epic-poem/p/itmdg6h4pdby5kep?pid=9780982677889&ref=e9a5a2bf-18e6-4ba6-b8ea-cfa528c5fd35&srno=s_2&otracker=from-search&query=frederick%20glaysher
January 20, 2013 at 7:13 am
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