20 Jan 09 A Walk around the Galleries of Angkor Wat

As I’ve journeyed through Angkor Wat and Cambodia, the antinomies have further clarified, on numerous fronts, including modernity. Broadly speaking, I can now see as never before the three major traditions of exclusivism and those of non-exclusivism in sharper detail, contrast, and comparison. That wasn’t really my intention, so I’m  surprised that it’s happened. Partly, I think, it’s in the material itself. The attempt to find and give it form brought it all out.

So there are vistas I’ve never realized before. As with Hinduism, the complexities and teachings of Buddhism have been fascinating to study once again, its various interpretations and flavors. Another surprise has been that the Internet has proven an invaluable tool for study and for finding the right historical nuance and detail, especially on the more human level of lived thought and belief, opening the antinomies ever deeper into the soul.

Though only on the way to Dunhuang, now in Bagan, Burma, I look forward to the Mogao Caves, visiting them again, as with Chang-an, and Japan. Saigyo shall guide me back to his great metaphor.

Frederick Glaysher

Tags: Add new tag, Angkor Wat, Antinomies, Dunhuang, religions of exclusivism, religions of non-exclusivism, Saigyo, universality

04 Dec 08 In Medias Res

It was the in medias res that took me decades to figure out, repeatedly pouring over Homer, Virgil, Dante, and Milton, and every other epic poet and form, struggling again and again for the right structure. I knew the plot of The Parliament of Poets was the backbone of the book itself, the very crux, first and foremost, for it to work, to draw the reader into it, and to play on the great tradition, evoke it, honor it, raise everything to a higher level of seriousness and import. It proved to be the hardest part of the epic form, a seemingly insurmountable challenge over which I stumbled, trying one idea after another, rejecting sketch after sketch, setting my notes aside knowing that way and that idea wasn’t it, wouldn’t work.

And then it came to me, while I was doing some trivial task of life, and I rushed to my study to write it down, lest I lose it after all these years. I knew I had it with the certainty of that’s it! get it down on paper, before the phone rings or whatever, before it’s gone forever–surprise, relief, elation.

With a rough draft written of the first three books, I now sense that I can finish writing The Parliament of Poets, see my way to the end of it, a sense of confidence I’ve never had before, since it was always entirely in the future, the book I would write, God willing, one day, as notes accumulated, as decades went by.

Now the challenge has become time, acquiring it, holding on to it, and worrying over the unpredictability and evanescence of life, of completing what’s begun.

Frederick Glaysher

Tags: Add new tag, Dante, epic poetry, Homer, in media res, Milton, Virgil

24 Nov 08 World Bible. Religions of Man.

It was as a young student in high school that I first encountered the scriptures of other peoples, in a class on world religions, which used The Portable World Bible. Instead of historicism, I believe I got the real message, since I did the reading, of the writings themselves, the universalism at their core. And it may have been that I was fortunate in the teacher of the class, who may have introduced me to a new style and way of manhood. Looking back, I see an intellectual man, more sophisticated and nuanced in sensibility.

And then, a year or two later, after more and wider reading, I took a college class that included Huston Smith’s The Religions of Man. That book opened new vistas, ordered things in a new way for me, even as I couldn’t really relate to the instructor, dropping the course before the end. But I had the book. And read it.  And re-read it. It was true to my experience. For soon, I had “gone off hiking into Baha’i.” But it was not “too quickly” of a decision. I had spent a few years reading and thinking about virtually every Baha’i book that had been published up until that time, 1976. I searched through several libraries from the suburbs to downtown Detroit to find them, and thought and prayed, prayed and thought, while continuing to read widely in the poets and literature.

It was more than a decade later that I heard of Joseph Campbell, through Bill Moyers’ The Power of Myth on PBS, another powerful influence, one I immediately recognized as true to my experience, re-watching it many times, reading some of his books. By 1983, I had already begun to make notes for The Parliament of Poets. Campbell’s work was startlingly congruent with where I already found myself to be, confirmed me in the direction I would take. But it wasn’t until about 1993 that I had written down, perhaps, I think now, as a result of his interview with Moyers, where I would travel.

Frederick Glaysher

Tags: Add new tag, Baha'i Faith, Huston Smith, Joseph Campbell, The Portable World Bible, The Religions of Man

20 Nov 08 What is Art for

What is Art for? It’s a commonplace thought that we used to know, but have lost, the answer to, along with God and other deeper dimensions of life. Materialism, commercialism, politics in the worst sense, anomie, nihilism, solipsism, and all the other fare out of the intellectual soup kitchen of modernity now provide the meager gruel of our existence. As though there were only one thing that art is for.

Before there was art, beyond the modern panoply, there was worship of the Unseen Essence, and human beings of all tribes, in every aspect of their lives, expressed, recorded, honored, intimated, found metaphors for their experience of what the Lakota Indians, for one, called Wakan Tanka, the Great Mystery.

We’ve been colleged. We’d never fall for that. After all, what was Marx and Freud and the great Enlightenment all about? What were they for? It’s either one or the other…. One is either an educated person or one is….

Frederick Glaysher

Tags: Add new tag, Lunar Orbiter 1966, Wakan Tanka, What is art for?